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paradisalost2011-09-04 08:38 pm
exanimatus.livejournal.com) wrote in paradisalost2011-09-04 08:38 pm
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(no subject)
[it's not a very nice place, Zelman's head.
the room is large, but still very much a room. the walls are all old, chipping plaster and peeling wallpaper and an odd rust, here and there. there's warping from water and old, dark stains from what's probably (most likely) blood. but that's all if you really look at it--the biggest and easiest thing to notice is that the walls are plastered in pictures and papers, clippings and photographs. taped up, tacked on, strung up in a few places, they show everything. at eye level, they're a strange mix of things about Earth and things about Paradisa, and sometimes things that wouldn't make sense to anyone. many of the photographs are out of focus, a lot of the writing has bled together.
that's not the worrying thing. what's worrying is what's written over them and under them and around them. every thought, every observation, every connection has been mapped out with marker or string or blood (only on bad or very very very good days) until the entire thing is like some convoluted artistic nightmare; scribbles and writing are layered on top of each other. lines are drawn and then more pictures are pasted over. many of the pictures with people in them have been X'd out or torn apart. the floor is littered with old paper, half-burned scraps, and ashes. it's somewhere between genius and an absolute mess.
looking up, the room just keeps going. the walls go up and up and up, plastered for what seems like miles. there might be a ceiling, but from here it just looks like the tiny flicker of a candle's flame, burning strangely clear despite the distance. is it really a ceiling...? the air is heavy, but the place feels... empty. it feels angry and arrogant and... unimportant. none of these things are important. all of these memories are useless, trash. uncared for.
and then there's the strange, oppressive feeling that someone, or something, doesn't want you here. you do not belong here, in this place so empty of sentimentality, so devoid of comfort. there's no joy to be found, here. just millions of empty memories and the scribbles of someone about as loving as a mechanical clock.]
[if you decide to venture into Zelman's room, he'll be there--a version of him anyway, barefoot and without a hat, flickering in and out a little as if he's composed more of flame than flesh. he's lying around on the floor, on his side, nearer to the far wall. his back is to the door. he's curled up a little, one arm protectively over a small box of newspaper clippings and photographs and stray pieces of scribbled-on paper. it's not much compared to the rest of the room, but one immediately gets the feeling that these things are important. precious. much more significant to him than anything else.
the contents of the box are spilled over a little onto the floor in front of him, but he doesn't seem to care. he's gazing absently at nothing, absolutely still except for the fingernail he keeps scraping across the floor. it makes a sound like a wire being tightened. again and again, a constant sharp scraping that is probably the only thing keeping him awake.
he looks a little annoyed, a little vacant. but mostly? bored out of his mind, no pun intended.]
[[ooc: gah, length. inner!Zelman is not a very nice person (just like his room!) but if you can handle that, feel free to look around or try to talk to him or whatever floats your boat.]]
the room is large, but still very much a room. the walls are all old, chipping plaster and peeling wallpaper and an odd rust, here and there. there's warping from water and old, dark stains from what's probably (most likely) blood. but that's all if you really look at it--the biggest and easiest thing to notice is that the walls are plastered in pictures and papers, clippings and photographs. taped up, tacked on, strung up in a few places, they show everything. at eye level, they're a strange mix of things about Earth and things about Paradisa, and sometimes things that wouldn't make sense to anyone. many of the photographs are out of focus, a lot of the writing has bled together.
that's not the worrying thing. what's worrying is what's written over them and under them and around them. every thought, every observation, every connection has been mapped out with marker or string or blood (only on bad or very very very good days) until the entire thing is like some convoluted artistic nightmare; scribbles and writing are layered on top of each other. lines are drawn and then more pictures are pasted over. many of the pictures with people in them have been X'd out or torn apart. the floor is littered with old paper, half-burned scraps, and ashes. it's somewhere between genius and an absolute mess.
looking up, the room just keeps going. the walls go up and up and up, plastered for what seems like miles. there might be a ceiling, but from here it just looks like the tiny flicker of a candle's flame, burning strangely clear despite the distance. is it really a ceiling...? the air is heavy, but the place feels... empty. it feels angry and arrogant and... unimportant. none of these things are important. all of these memories are useless, trash. uncared for.
and then there's the strange, oppressive feeling that someone, or something, doesn't want you here. you do not belong here, in this place so empty of sentimentality, so devoid of comfort. there's no joy to be found, here. just millions of empty memories and the scribbles of someone about as loving as a mechanical clock.]
[if you decide to venture into Zelman's room, he'll be there--a version of him anyway, barefoot and without a hat, flickering in and out a little as if he's composed more of flame than flesh. he's lying around on the floor, on his side, nearer to the far wall. his back is to the door. he's curled up a little, one arm protectively over a small box of newspaper clippings and photographs and stray pieces of scribbled-on paper. it's not much compared to the rest of the room, but one immediately gets the feeling that these things are important. precious. much more significant to him than anything else.
the contents of the box are spilled over a little onto the floor in front of him, but he doesn't seem to care. he's gazing absently at nothing, absolutely still except for the fingernail he keeps scraping across the floor. it makes a sound like a wire being tightened. again and again, a constant sharp scraping that is probably the only thing keeping him awake.
he looks a little annoyed, a little vacant. but mostly? bored out of his mind, no pun intended.]
[[ooc: gah, length. inner!Zelman is not a very nice person (just like his room!) but if you can handle that, feel free to look around or try to talk to him or whatever floats your boat.]]
no subject
[As promised, he still does not look into it; though he still isn't done asking his questions. He draws his legs up and crosses them, imitating Zelman's posture. Mostly just for the sake of seeing if he could.]
Is Asuka in your box as well?
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Yes.
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and he is so very happy about that.]I cannot say that I am entirely surprised.
how did I miss this tag... my turn for lateness. D:
gkjdhkajh and my turn now ;;
winning. :'D
I would just rather... other people don't pick up on it. It's dangerous; she's not strong like I am.
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I to not believe it is entirely obvious to everyone. You only really seem to speak of her if you are asked, and you rarely answer questions that you do not wish to. [He has faith that Zelman can keep his shit under wraps. 8|b]
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What is that, Zelman?
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[it seems to get a little closer when it's brought to attention, but it's a good feeling--it's warm. it's familiar.]
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[How very curious... Pharos leans his head to the side, trying to see what - for the most part - he really can't anymore. What makes the blood move. What makes Zelman tick.
He would so love to know such things about Zelman.]
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[it's very mysterious, that thing--both a part of Zelman, and another thing entirely. but there are more questions than there are answers, in here.]
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Then he looks back at Zelman, and smiles.]
I believe I like it in here, to a certain degree. ...for as much as I care about Minato, he was very empty in this regard.
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I've had a lot of time to fill it with things...
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You most certainly have... It is unfortunate that I will likely not be able to return here later; there is so much that I would like to see.
Perhaps that is for the best, however. I doubt you would wish to share as much as I would like to see, and it could take a considerable amount of time.